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Both shocking and a brilliant twist to end on, Clay can only watch in stunned horror as Christine is sucked screaming into the fiery depths of hell.
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In its final moments, Drag Me to Hell sees Christine stunned to learn that Clay still has the cursed button that she thought she’d gotten rid of. The film arrived to great reviews, but one of the key complaints about the film is that it ended on a severe cliffhanger that was never resolved. Related: Drag Me to Hell: The 10 Best Jump Scares Ranked As Christine and her highly skeptical boyfriend Clay (Justin Long) discover, a demonic entity known as the Lamia is stalking her, and in three days time, it will take her to Hell. After refusing a third extension on an elderly woman’s mortgage payments, the woman places a curse on Christine. The film centers on a young Los Angeles transplant called Christine (Alison Lohman), who works as a loan manager at a local bank. The supernatural horror film embodied many of the same elements that the Evil Dead franchise utilized, yet firmly remained its own creation. Since then, Raimi’s only other outing as writer and director has been on 2009’s Drag Me to Hell.
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However, despite the ongoing demand for Raimi to return to writing and directing his own horror films, the Evil Dead film series ended in 1992, with Army of Darkness. His dedication resulted in 1981’s The Evil Dead, and although the film (and its subsequent sequels) failed to become box office smashes or Oscar-winning triumphs, all three remain essential viewing for any horror fan, to this day. Raimi’s work ethic embodies everything that struggling young filmmakers everywhere can relate to, and it was his drive and willingness to make a film at all costs that made him the success he is today. Incorporating old-school puppetry and prosthetic makeup combined with some judiciously used CGI, along with a colorful cast and composer Christopher Young’s unnerving symphonic blasts, Raimi’s raucous trip to hell proves to be anything but a drag.Sam Raimi's next film is Doctor Strange 2, but he shouldn't close the door on resolving Drag Me To Hell'scliffhanger with a sequel. From his earliest days as a filmmaker, Raimi has utilized a style and creative vision that have marked him as a unique talent. Hatched by Raimi and his brother Ivan, the scripting is not without some clunky plot mechanics, but it’s hard to notice given all that visceral visual goop heaved onto the screen with gleeful abandon.
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Ganush (fearless stage actress Lorna Raver) or impressing her boss (David Paymer), she opts for career maintenance.įacing eviction, the elderly Hungarian woman damns Christine’s soul with the curse of the Lamia, a mythical beast who’ll pay a visit to haul her off to you-know-where. Life for Christine (Alison Lohman) would seem reasonably far from hell given her position as a Los Angeles bank loan officer and her nurturing relationship with her college professor boyfriend (Justin Long).īut all that changes when, forced to choose between granting yet another home loan extension to weird old Mrs. The completed version, meanwhile, will have a Wednesday midnight screening at Cannes ahead of its May 29 opening. Raimi’s legions of early fans, who’ll likely be tickled by the title alone, are certain to eat this stuff up, especially given the buzz that’s been building since a sneak preview of an unfinished version at the South by Southwest Festival in March. He might be armed with a larger budget than what he had to work with back in the pre-Spidey days, but Raimi’s still very much up to his old tricks, retaining that deliriously over-the-top brand of Grand Guignol horror that he had abandoned by the mid-’90s in pursuit of other genres. Having been preoccupied with a little thing called the “Spider-Man” trilogy, Sam Raimi returns to his “Evil Dead” roots with “Drag Me to Hell,” a funhouse ride of a supernatural thriller surrounding a demonic gypsy curse.